Oleta Adams

Being the daughter of a minister, it's no surprise that Oleta Adams' roots are in gospel, as she
often performed in her father's church. But her formal introduction to the masses began rather
unexpectedly. While performing in a Kansas City hotel, Oleta Adams was discovered by Curt
Smith and Roland Orzabal of Tears for Fears, and she was invited to participate in the recording
of the British band's follow-up to the immensely popular 1985 album Songs From the Big Chair.
When Tears for Fears unleashed the long-awaited The Seeds of Love in 1989, listeners were
taken aback by the soulful female voice that was prominently featured on the album. Her vocal
contributions to The Seeds of Love helped it generate generally positive reviews. In 1990, Tears
for Fears' Roland Orzabal and Seeds of Love producer Dave Bascombe produced Oleta Adams'
debut release, Circle of One. One of the album's standout tracks was a stunningly performed
rendition of "Get Here," written and originally performed by Brenda Russell. Whereas Russell's
version was a bit on the cutesy side, Adams virtually reinvented the song as an aching,
gospel-tinged ballad. "Get Here" soared into the Top Ten, and the single's success helped
Circle of One achieve gold status. When Oleta Adams' second album, Evolution, was released
in 1993, she inched closer toward the adult contemporary ballad schlock that has plagued
such gifted vocalists as Anita Baker. Despite ample production from Stewart Levine (Patti LaBelle,
Simply Red) and Oleta Adams' vocal prowess, generally weak material marred the album, though
it included a stirring version of Billy Joel's "New York State of Mind." 1995's Movin' On attempted
a more R&B approach, but too much outside input made it a disjointed affair. The album boasted
credits from producers, including Vassal Benford (Mariah Carey, Toni Braxton), Michael J. Powell
(Anita Baker, James Ingram), and Alan Rich and Jud J. Friedman (Whitney Houston), but again
the songs were weak, and the slick production undermined the raw intensity of Adams' always
glorious vocals. The religious album Come Walk With Me followed in 1995, and she returned to
R&B with 2001's All the Love.