The System
Pioneering synth duo the System rode the
'80s wave of emerging synth/MIDI music technology to
help lay the foundation for contemporary electronic popular music with their
upfront, unapologetic
use of synths and intelligent songwriting. In the early '80s, singer Mic Murphy
and keyboardist
David Frank met in New York. Collecting on studio time that he had bartered for
in exchange for
playing on sessions, Frank asked Murphy to join him in the studio to work on
some ideas. After
their overnight session, Murphy took the master tape to an engineer friend that
transferred the
tape onto a 12" lacquer record. The duo took the record to Atlantic's
Mirage Records and were
signed right away.
Their 1982 single "You Are in My System" quickly became the rage on
both the dancefloor and on
urban-formatted radio, leading to the release of Sweat on Mirage/Atlantic. Other
tracks from the
album got dancefloor attention, such as "Sweat" and "I Can't Let
Go." Their next album,
Experiment, included the infectious "I Just Want to Make You Feel
Good," the sweet ballad
"Promises" b/w "X-periment," and the stunningly passionate
"I Can't Take Losing You." In 1986,
the duo performed the title album track/hit single "The Pleasure
Seekers" on Miami Vice. The LP
contained "Groove" precursor "This Is for You," which was
the second single. 1987 was a great
year for the System, giving them their biggest hit. The title track of their
album Don't Disturb This
Groove went to number one R&B and number three pop. The tune was also used
as the basis of
one of the last tracks released by Tupac Shakur. The next release Midnight Lover
cracked the pop
Top 20.
Their fresh approach put the System in high demand as producers, songwriters,
and musicians.
They can be heard on Chaka Khan's cover of Prince's "I Feel for You"
and Mtume's "Juicy Fruit"
(both million-sellers). The record was later used by the Notorious B. I. G. for
his gold record
"Juicy." The list continues with Phil Collins' "Sussudio,"
Angela Bofill's "Can't Slow Down," Pauli
Carmen's "Dial My Number," Ashford and Simpson, and Jeff Lorber's
"Step by Step." They
contributed to the movie soundtracks for two Eddie Murphy blockbusters, Beverly
Hills Cop and
Coming to America (the title track went Top Ten pop). Even though it seemed that
everyone
wanted to work with the System, the pair decided not to spread themselves too
thin and turned
down a lot of offers. They opened their own recording studio called Science Lab
Music.
1989's Rhythm and Romance ("Midnight Special," "Have Mercy,"
"Soul to Soul") was the duo's
last album in the 80's and did nit do very well. During early 1991, Mic Murphy
released a solo
album on East West called Touch ("Fit to Be Tied") which had a lot of
System overtones.
Frank did concert dates backing Annie Lennox during the recording of her Live in
Central Park CD
and video (Arista) among others. He's also active in production, working with
Omar, Dionne Farris,
female pop vocal trio Wild Orchid, and Rebbie Jackson.
In 2000 the duo reunited to release ESP.
Year of release | Album title |
1983 | Sweat |
1984 | X-Periment |
1985 | The Pleasure Seekers |
1987 | Don't Disturb This Groove |
1989 | Rhythm & Romance |
2000 | ESP |